Exploring themes of migration, gender and arranged marriage, Sahan Shakti (2023) is a multi-award winning ethnographic documentary following the life of Hina, a 60 year old twice-migrant living in the UK as she begins to rebuild her life post-divorce.

The film offers a quiet contemplation on the South Asian diaspora, including the expectations and roles placed upon women. By working with her mother and grandmother, director Chandni Brown, delves into her own family experiences and intergenerational relationships, highlighting the complex identities of transnational migrants, the need for belonging and the pressure to be perfect.


SAHAN SHAKTI.

2023 | Ethnographic Documentary

ABOUT.

RELEASE DATE | October 2023

A FILM BY | Chandni Brown

FILM SCORE | Felix Brown

ANIMATION | Chandni Brown

PRODUCTION COMPANY | Granada Centre for Visual Anthropology (Manchester)

RUNNING TIME | 21 minutes

LANGUAGES | English & Gujarati

COUNTRY OF PRODUCTION | England

AWARDS.

BEST FIRST TIME DIRECTOR

International Istanbul Short Film & the Writer’s Journey Festival 2024

The Big Syn International Film Festival 2023

HONOURABLE MENTION

OFFICIAL SHORTLIST

Grierson 2024: The British Documentary Awards

Society for Visual Anthropology Film and Media Festival 2024

HONOURABLE MENTION

Ethnofest - Athens Ethnographic Film Festival 2024

OFFICIAL SHORTLIST

FILM STILLS.

DIRECTOR’S STATEMENT OF INTENT.

This documentary was all about getting to understand my mother at one of the most pivotal moments in her life.

I wanted to understand what drives the generations before us to make the choices they make, starting from a position of love and compassion, rather than judgement. This meant allowing my mother to shape the narrative and form of the documentary by conceding some of the creative control we typically enjoy as directors.

Many of the experimental aspects of the film, including animation and poetry, and even the archival footage that was used, were created with Hina - intended to reflect her own internal sentiments and experiences.

This is because I never intended to simply document my mother. My aim was to discover more about the worlds of the women who came before me - women who tick so many boxes and yet fit into none.

Through her story, I ended up discovering a remarkable endurance - one that transcended both culture and identity. And it is this quality that gave the film it’s namesake: Sahan Shakti - सहनशक्ति